Archive

Featuring drums, trumpet, piano, synthesizers, vox, and mixing by Andrew Lane; bass, guitar, drums, synthesizers, and vox by Charles Myers; guitar, acoustic guitar, glockenspiel, drums, synthesizers, and vox by Lane Dombois; additional beats by Billy Rose; additional vox by Agnes Lula, Deanna Sherman, Jessica Crocker, and Jesse Clah; cover by Tania Aparicio.

Featuring composition, guitar, synthesizers, and production by Lane Dombois; vox by Fernando Gonzalez; vox by Sophie Zmorrod Laruelle; co-developed by Sophie Zmorrod, Fernando Gonzalez, Lane Dombois, and Nic Adams; cover by Tania Aparicio, Inga Lee Black, and Sandra Bell.

Featuring production, drums, trumpet, vox, synths by Andrew Lane; guitars, vox, synths by Lane Dombois; electric bass by Luke Bennett; flute by TJ Rubin; vox by Deanna Sherman; vox by Fernando Gonzalez; vox by Sophie Zmorrod Laruelle; vox by Jessica Crocker; and vox by Charles Myers.

Written and composed by Lane Dombois; directed and scenic design by Nic Adams; voices of Fernando Gonzalez and Sophie Zmorrod; co-developed by Zmorrod, Gonzalez, Dombois, and Adams; lights by Christina Tang; animations by Leonie Bell; illustrations by Brian Hendricks; costumes by Sandra Bell and Inga Lee Black; venue from caribBEING; photography by Tania Aparicio.

Written and composed by Lane Dombois; directed by and developed with Jesse Freedman; featuring Avery Leigh Draut, Torian Brackett, Emilie B. Mirvis, and Tan Taofa; percussion by Ana Garcia; reeds by TJ Rubin; costume design by Karen Boyer; scenic design by Ali Shirago-Spechler; lighting design by Joshua Langman; stage managed by Emily Fischer; flute arrangements by Aleksandra Weil.

The Chimes music by Liz Barnett, book & lyrics by Eloïse Govedare; featuring Courtney King; music directed by Daniel Sefik
Love in the Dark book by Orian Israelsohn, lyrics by Emily Roller, music by Aleksandra Weil; featuring Jenny Ashman; music directed by Will Buck; violin by Cheeyoung Kim.
Evening featuring Meghan Bailey and Alex Markowitz; directed by Jesse Freedman; costume/scenic design by Karen Boyer; lighting design by Lane Dombois; stage managed by Hannah Spratt.